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Wayne
Baize has shown an interest in art since his school days in Hamlin,
Texas.
His First private art teacher was Sarah McDonald, a friend of Frank
Tenney
Johnson. Today old classmates claim they still have sketches that
he did back then. After high school graduation, Wayne set up a
drawing
table at Luskey’s Western Store in Abilene where he worked on portraits
of people and horses.
Wayne has
always
been thankful that he took the step to be a full time artist when the
popularity
of western art was on a huge upswing. He recalls going to Bill
Burford’s
shows in Dallas at the Adolphus Hotel where a sell-out was almost
guaranteed.
Often, when the doors to the show were opened, people stampeded into
the
ballroom to grab the purchase tag off of the picture they wanted.
Sometimes they settled for any painting with a tag they could grab.
Baize
remembers taking a place behind a pillar before the doors opened to be
out of the way of the stampede. He believes the art market today
is much more stable that it was back then because buyers have become
much
more discerning about the art they buy.

In the early
seventies,
Baize began making trips out to the Davis Mountains near Fort Davis,
Texas
where he gathered material for his drawings by taking photographs on
the
06 Ranch and other ranches throughout the area.
He decided to
buy
some property from Mr. Largent and in the process met his future wife,
Mr. Largent’s daughter, Ellen. The Largent family raised
registered
Hereford cattle and Wayne decided to start his own herd. He
prefers
to paint Hereford cattle because more expression is visible on their
white
faces. He often includes his own cattle in his paintings.

Although
cattle
are included in the majority of his paintings, Wayne’s favorite
subjects
are his horses. He is especially talented when portraying a horse
and is known for his ability to accurately portray their muscling and
structure.
His four children, Elizabeth, William, Jonathan, and Charles each have
their own quarter horses which they care for and train. The
children
and their horses are also often seen in Wayne’s paintings.

In the late
eighties,
Baize shifted his focus away from the mixed media and pencil drawings,
of which he had become so accustomed, and took the huge step of putting
his main efforts into oil paintings. The transition was
encouraged
by the prestigious Cowboy Artists of America. With the critics of
Cowboy Artist, Tom Ryan, and diligent hard work, Wayne made a
relatively
rapid transition into the world of oil paintings.
In
1995 he
was invited to become a member of the Cowboy
Artists of America. Wayne Baize considers this to be the
highest
honor that he could obtain in his art career. Wayne’s studio is
graced
by art awards with he has received from around the country through the
years. These include the silver medal award for drawings at the
1997 Cowboy
Artist Show in Phoenix, Arizona. Most recently he was
awarded
the American Cowboy Culture Award for 2004.
Baize’s
paintings
and drawings have graced the covers of several horse and cattle
magazines
including The Quarter Horse Journal, Western Horseman, and the Texas
Hereford.
Wayne’s
work can
be viewed at his studio near Fort Davis, Texas,
Midland
Gallery in Midland Texas; Whistle
Pic Gallery in Fredericksburg, Texas; and Trailside
Galleries in Jackson Hole, Wyoming, and Scottsdale, Arizona.
He shows
annually
with the Cowboy
Artists of America at the Phoenix Art Museum and at the Governor’s
Invitational Art Show in Cheyenne, Wyoming.

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